Review: Miss Kobayashi’s Dragon-Maid (Funimation February!)

I’ve already talked about the unique position that Kyoto Animation stands in right now as a truly independent anime studio; if you want more details about that, though, check Ultimatemegax’s post talking about KyoAni’s transition over the years.

Anyway, today’s show is Miss Kobayashi’s Dragon Maid, which I shared my first impressions of back when it began airing. At first, I didn’t actually know it was a KyoAni-animated show; I didn’t think they were animating anything that season, but obviously, I was mistaken. It makes me happy to see how popular the show has become since its airing as well. KyoAni has certainly made a lot of hits, even after becoming producers, but I somehow felt that this show wouldn’t become as popular as it did. I like seeing other people enjoy the same shows I do.

An Introduction

After a night of drinking, our protagonist Miss Kobayashi wanders into a forest and stumbles across a dragon. (Yes, a dragon, from an alternate dimension.) She sits and talks with it for a while, and offers for it to stay at her place.

Thus, the next morning, she opens up the door to her apartment to make her way to work, and is greeted by a giant dragon’s eye right outside. Almost immediately, she transforms into a maid girl (to be more approachable to the lowly human, I’m sure) and introduces herself as Tohru. Tohru’s all prepared to move in and be a maid for Kobayashi… who, unfortunately, doesn’t remember anything from her drunken escapade the night before.

However, we can’t have a plot if the main character says ‘no’, so she lets Tohru in as her maid! Kobayashi learns pretty quickly though that Tohru doesn’t really know much about human society… at all. And so the comedy begins! … With even more dragons quickly being dragged in as well.

The Plot and Characters

This show is a comedy/slice-of-life anime, with the biggest focus on Kobayashi, Tohru, and another young-girl dragon named Kanna. Tohru and Kanna (along with some side characters who get a surprising amount of screen time, I’ll talk more about them later on) are dragons transformed into human girls, living with Miss Kobayashi (or one of her friends). And these dragons are what sets this show apart. These dragons’ differences from humans, especially in culture and perceptions, are used primarily for comedy’s sake, although Dragon Maid isn’t afraid to show us glimpses into their full potential: powerful, godlike beings capable of wiping out an entire city in minutes.

The first episode in particular really strikes this well, I think. After setting up Tohru as Kobayashi’s maid, we see the two of them start to go through what being a maid means to both of them. There are some really funny moments in here, including Tohru calling her friends Quetzalcoatl and Fafnir to ask their opinions, both leading to… unhelpful results. It’s a great and really funny start to the series.

Later episodes see these characters in a variety of settings, scenarios, and situations, usually one per episode – whether it’s celebrating Christmas, moving to another apartment, or the school’s athletic festival – with some extra little scenes in the middle or end of the episode. Due to the end of the episode usually containing an extra scene or two without a “to be continued” or anything, the ending of each episode always comes as a surprise to me… and it saddens me a bit too, since that means the episode’s over.

For most of these later episodes, though, there wasn’t a lot of outright laughing at the funny moments, nor a lot of emotions during the more heartfelt moments. I saw them more as quirky and endearing, respectively, but it was still enjoyable to watch and at the right times, brought a smile to my face. Despite not being the funniest comedy or slice-of-life-iest slice-of-life, this show’s still able to move you, even if it’s just the slightest amount. My favorite episode is episode 11, where we have a lot of quiet moments with the main three for the first 2/3rds of the episode.

The pacing of the show is pretty good as well. Scenes move along at a good enough pace so that nothing feels like it’s lingering, but not too fast where it becomes a bit hard to swallow. There are slower, quieter moments too (such as episode 11) that really allow you to reflect with the characters on their adventures so far, and I definitely appreciate them a lot. However, despite all I just said, episode 13, the final episode, does move a bit fast. I kind of wish it was split into two episodes (either make it a 14-episode series, or drop parts of episode 12), rather than trying to do the entire dramatic ending all in one 24-minute segment. (There is a 14th episode, but it’s an OVA that takes place at a later time.)

Anyway, let’s not ahead of ourselves. We begin the story with only Kobayashi and Tohru, the titular human and her dragon maid.

Tohru is really fun; she’s energetic and hard-working, and she throws herself fully into her new role as a maid for Kobayashi. She can be the source of a lot of funny moments and a couple heartfelt ones too; however, she becomes a bit stilted and plain when she’s delegated to the background for a scene. Throughout Dragon Maid, we see Tohru develop feelings for Kobayashi, although that doesn’t really go anywhere.

Kobayashi fills the “only sane one” role, acting as a voice of reason and the straightman throughout the series. Personality-wise, she seems to be quiet, keeping-to-self, and work-focused; she does seem to have a thing for maids, but this weird gimmick only appears a few times throughout the series. It’s funny to see how she copes with these major changes in her life situation, especially with the energetic Tohru. We see her awkwardly transition into being the caretaker of Kanna (the next character I’ll discuss) as well, which I really enjoyed. With perhaps the exception of the heightened drama of the final episode, she’s the ground for this series and its cast, and it’s hard not to relate to her. Being a programmer myself, I personally also definitely relate to her in her troubles with her profession.

As for Kanna, she quickly becomes the third main character after being introduced in the second episode. She’s a weird 3rd-grade kid-dragon, basically becoming the adorable little kid doing adorable little kid things. Although she certainly has some really cute and funny moments (including some gags that play out in the background), I could honestly take her and leave her. I became invested in this show for the relationship between Kobayashi and Tohru, but Kanna’s addition isn’t much a hindrance. There is a lot of attention on her throughout the series, perhaps a bit more than is really needed.

Speaking of Kanna, though, I should mention another character… one that rather bothers me: another 3rd grader named Saikawa. She originally starts off as bossy and mean towards Kanna, but quickly becomes infatuated with her and falls over backwards at even the slightest touch. I more liked Saikawa’s original bossy self, rather than acting romantically attracted to Kanna when she’s at an age that really doesn’t understand romance and love. I don’t get anything out of the interactions between Kanna and Saikawa; it’s the same joke over and over, honestly. One time they did extra for the joke, though, was in episode 6, where the show implied that Kanna and Saikawa were quite nearly about to have sex. This was not a scene I enjoyed watching. I honestly think the show would’ve been better off without Saikawa.

I’ll finally somewhat-quickly mention the other major characters:

Quetzalcoatl (often called Lucoa) seemed interesting at first, but she can be easily summed up in four words: “spacecase with big boobs”. Her chest is basically the only source of comedy from her, with jokes that range from unfunny at best to  tasteless at worst. Elma is the 4th dragon in the opening and ending animations, but she doesn’t appear until episode 8; she’s okay. Finally, there’s the two male characters: Makoto and Fafnir. Fafnir, a male dragon, also starts off interesting, but after associating with Makoto, the two turn into otaku nerds; they’re both not bad, but they’re usually pushed aside to focus on the mostly-female cast.

Dragon Maid is a number of things, but “a waste of time” isn’t one of them. Despite some jokes that got no (positive) reaction out of me, there were a lot of good moments in this show – especially with the main three. There’s emotion and enjoyment to find here, the show does not fail to deliver in this regard. I definitely walk away from each episode feeling more positive than I was going into it.

The Atmosphere

Kyoto Animation has definitely been known for its quality over the years, and although I wouldn’t say this show is pushing the envelope of what the studio can do, it’s still definitely good.

Unlike a number of their previous works, their lines in Dragon Maid seemed softer, characters seemed flatter (no shine), and the backgrounds looked very much watercolored. It’s a visual presentation that strays a bit from Kyoto Animation’s standard appearance, and a bit closer towards your standard slice-of-life, but their quality of work still shows through in how they were actually animated. The animation was fluid the entire time, with there never being a noticeable drop of quality in any of the episodes. (This being said, the first and last episode definitely did have some quality bumps.)

I mentioned in the previous section about Dragon Maid really being able to show the dragons as feared godlike creatures, and this is shown in no better way than through the animation and visual effects. Tohru and Kanna play around in a field in episode 2, and their play battle with its giant energy beams and whatnot were glorious and terrifying. How they draw Tohru as a dragon looks realistic and is also animated well (something I feel another studio may not do as well), and they even made a chibi dragon-form Tohru for later episodes as well.

The colors for this show were always bright, all of the time – from the brightly colored characters to the brightly colored backgrounds to the bright yellow transition screen for scene changes. Each of the characters in this show, excepting Elma and Fafnir, have weirdly-colored hair (an anime staple), but their hair (although still bright) is muted to not draw attention to itself – especially in combination with the flatness that is this show’s art style.

All in all, the character designs were good, and embrace KyoAni’s affinity to make everything cute, but are otherwise not too noteworthy… excepting these notes: there are times where Tohru’s tail just looks way too large for her human body… unless she just simply doesn’t have a butt. Lucoa’s design seems like it was made solely for her recurring gag, and I wish we got to see her differently colored eyes more often. Makoto’s design looked very plain, though, almost boringly so, and Fafnir looks like an attempt at making Sebastian from Black Butler.

Music-wise, Dragon Maid tends to rely a lot on the same handful of themes episode after episode… either that, or the various themes just sound so similar. Since most of the focus is on the dialogue and the situations, though, the music repetition doesn’t really become noticeable. The tracks of this show are certainly identifiable (if only because of their instrumentation choices), and they are definitely good background tracks, but only a few of the few, I would actually want to listen on their own (such as the track with a-cappella and strings for more thoughtful scenes).

The opening theme, Aozora no Rhapsody, is very high-energy and cheerful, and I do enjoy it (although Towana’s singing wouldn’t be my first choice for my music listening tastes), and the opening animation is high-energy to match. It’s a flurry and fun to watch… and although Dragon Maid itself certainly has some high-energy moments, part of me wonders if perhaps this isn’t the most fitting opening theme. Perhaps if I looked up the lyrics to it though… The ending theme, Ishukan Communication, is really cute, though, and the animation is just as cute. I have nothing but positive things to say about the ending theme and animation.

I watched the show on Crunchyroll, meaning it was subtitles the entire way. I give props to the main three – Mutsumi Tamura, Yuki Kuwahara, and Maria Naganawa (as Kobayashi, Tohru, and Kanna respectively) – for their acting, and Daisuke Ono as Fafnir was also good. I’ll be curious to see how the show is with Funimation’s English dub, but I don’t know when I’ll have the chance to experience it.

Final Remarks / TL;DR

Miss Kobayashi’s Dragon Maid is one part comedy, one part slice-of-life, and one part unfunny-recurring-gags. Some characters and their gags never got a positive reaction out of me, but that’s not all this show has to offer. I really don’t want to underplay all the enjoyment I got out of this series, especially alongside its high quality visual production work by Kyoto Animation.

Some of the friends I showed this series to weren’t that interested… but a lot of them, when I recommended it, told me they’d already seen it! And for good reason. If you’re in the mood for something silly, soulful, and colorful, Dragon Maid has you covered. It won’t be the most hilarious or slice-of-life-iest out there, but there’s still a lot to enjoy here. If for no other reason, you should consider it if you just want something fun.

Rating: Good
Recommendation: Watch It
+++ Tohru, great animation and visual effects, really fun time
— Saikawa (especially in episode 6), Lucoa’s repetitive gag, I can take or leave Kanna

Review: Tokyo Ghoul Root A (Funimation February)

 

How do you write that? Tokyo Ghoul… Square Root A? Tokyo Ghoul Root A? Just… Tokyo Ghoul A? I guess the most correct way would be Tokyo Ghoul √A… but there’s also the question of how do you even pronounce it?

Anyway, this is the second season of Tokyo Ghoul. It was the second show I reviewed for Funimation February last year, so let’s make it the second one for this year too! This season picks up almost immediately where the first season left off, and going from there. But if you expected the second season to be more of the same, you’re sorely mistaken.

An Introduction

We once again meet up with our valiant young hero Kaneki Ken, as he and his fellow ghoul mates from Anteiku are in the midst of a giant battle with the Aogiri Tree, a violent vigilante gang from a few districts over. Soon enough, the Anteiku mates are able to fend off Aogiri Tree… and then Kaneki decides he’s gonna join them! Yeah, he’s valiant, alright.

So, as Kaneki runs off with his newfound friends, he leaves his buddies from Anteiku to start picking up the pieces and begin to return to a normal life. At the same time, the CCG is now redoubling its efforts to clean all of Tokyo of these ghoul pests…

The Plot and Characters

I know I’m not the first to complain about it, and I probably won’t be the last, but Kaneki’s distinct change in personality is weird, to say the least. In fact, from a writing perspective, I’d say it’s baffling and kind of stupid, to be honest. Kaneki, who was awkward, careful, and worried in the first season, has now suddenly become cold, distant, brooding, and power-hungry. Although he offers a reason for doing so partway into the season, the reasoning is about as thin as paper.

This ultimately makes Kaneki next to impossible to connect to, unlike the first season when he and us (the audience) were both exploring the world of ghouls together. Now that he’s become more disconnected, though, we see Touka be promoted to the main character status (being a major supporting role in the first season). We’ll see glimpses of Kaneki doing something ominous or dark throughout the series, but for the majority of the time, we’re following Touka and Amon, the CCG investigator who was a main character in the first season as well.

Touka and the rest of the Anteiku group are shown doing their best to return to a normal life, but for her and little Hinami, it’s kind of hard. Kaneki pretty much leaves with barely a goodbye, and you see her really struggle with his sudden disappearance. She’s sad, lonely, and, most of all, confused. In fact, it’s kind of hard not to feel for her at least a bit. I didn’t feel as connected to her as I did to Kaneki in the first season, but I think she does a fair enough job taking the main character role here.

On the CCG’s side, the organization is more shown as, well, an organization – all its agents working in a giant, chrome building with offices, meetings rooms, laboratories, and even a war room. Battles become more large coordinated assaults between the CCG and organized ghoul gangs, and less about the smaller duo combos of CCG investigators picking one-on-one or two-on-two fights like in season 1. After the death of Kureo Mado in the first season, we’re introduced to his daughter, Akira, as Amon’s new partner. Akira is super professional and dedicated to her work, and highly intelligent to boot. There are other CCG agents that we see more of as well, such as the unstable Suzuya – whom I grew to somewhat like.

While in the first season, it seemed like it was only a few steps away from becoming a nice metaphor for ethics or genocide, with one scene where Amon and Kaneki seemed just about to have a rational conversation with each other… none of that is present here. We’re the good guys, they’re the bad guys, end of story. There’s nothing really complex about this anymore; although the show still shows you a decent amount about the CCG and (feebly) attempts in some ways to humanize them, it definitely wants you to root for Touka, Kaneki, and the rest of the ghouls. It’s just another two-sided, black and white battle, and that’s it.

This season is a lot more focused on broodiness, freakiness, and action. Kaneki is dealing with the trauma he experienced at the end of season 1, newcomer Suzuya gets fleshed out, and more. There are still quieter, sweeter moments, but they’re fewer and farther between, and a lot of these moments are moments of sadness, focusing on Touka and Hinami. There are a number of major fights that occur in this season, all culiminating in a bleak, but also ungodly long ending scene in the final episode. I get that it’s supposed to feel emotional – and this show definitely tries to draw out as much emotion as it can from here – but given the events of this season, I found myself wondering “is this done yet?” more than anything else.

Frankly, what I enjoyed about Season 1 just doesn’t seem to be here anymore. There isn’t a complex morality thing at all anymore, there isn’t a character you can wholly relate to and root for with all your being, there’s no sense of community or family here, and the only big events here are just seeing (what’s essentially) armies clash with each other. This felt more like “just another action series”, and that wasn’t how I saw the first season. It’s not to say that what it turned into is terrible or anything, but it just doesn’t feel the same.

Summing it up, I can’t say I hate this season. It may have lowered my overall opinion about Tokyo Ghoul, but it isn’t the worst thing ever. The changes from the first season to this one make it a different show, though – not the one I signed up for when I watched the first episode of the first season.

The Atmosphere

Presentation-wise, this season continues pretty much the same as the first.

The action scenes tend to get darker and darker in coloration the further into the battles we go, but beyond that, the lighting is still the same. Anteiku still has that warm feel to it, the outside still looks bright and colorful, but everything has that tint of sadness and coldness to it. The CCG’s corporate headquarters is large and chrome, trying to look industrial and business-like, and their other buildings (such as the ghoul prison, Cochlea) all feature this similar look.

The fight choreography in this season is either really good or really bad, depending upon the scene. Was the first season actually this way too, and I just didn’t notice? Maybe… The kagunes and quinques are what makes this series stand apart from other action series, as extensions of their wielders. However, when the choreography is bad, the show really fails to make them stand out and look cool. I do like the designs of the kagunes and quinques, like in the first season, but I’ll admit that it feels kind of hard to distinguish a number of the kagunes apart. The special quinque armor that we see the CCG use looks a bit stupid to me, to be honest.

When it comes to the character designs, in general, they’re still pretty alright. A number of the new ghoul characters look kind of cool, like Kurona and Nashiro. The CCG still has its problem of the characters being hard to distinguish, especially since everyone is now in a suit and tie – this leads to me only remembering characters as “eyebrows guy” or “angry kid” and that’s it. Suzuya, though, is quite different, and I appreciate his design.

For this season, I saw a lot of it in both Japanese and English, although I don’t quite remember the Japanese side all too much anymore. The voice actors for Suzuya on both sides – Rie Kugimiya on the Japanese side, and Maxey Whitehead on the English side – are both pretty good and make him sound interesting and like a kid with weird, creepy interests. In total, I feel there really isn’t one side or another that I can full-heartedly recommend; it’s good enough between both that the one you choose should be enough to satisfy you. As is usual with watching anime, though, once you choose a subbed or dubbed side, it’s not quite easy to jump to the other.

It kind of feels like they were trying to go for this over-dramatic movie soundtrack for this season (and they probably did so, at least to some degree, in the first season too). These intense strings will play during tense moments, dirty synthesized sounds play during a heated moment in a battle, and the piano will saunter in during quieter moments. The soundtrack isn’t bad, but it also doesn’t stand out in any way. There is a pretty cool insert song called Glassy Sky that I do enjoy, but it plays 4 times throughout the season. By the third time, I was like “isn’t this that same song?” – it may be a bit overused.

The opening song, Munou, is an interesting one. I can’t say I dislike the song, but I probably won’t go out of my way to listen to it at all. The song has this off-kilter feel to it, even during its “prettier” parts, which I suppose isn’t too unfitting for this season. Its lyrics are weird. The opening animation, though, is fairly uninteresting, just showing a shirtless Kaneki standing there. I’m not usually a big proponent of skipping openings, but this one honestly doesn’t have anything at all that makes it worth watching 12 times.

The ending song though, I rather enjoy. I also really enjoy how the ending animation changes for each episode too, showing different characters and situations painted in this watercolor style the manga covers also use.

So yeah, skip the openings and watch the endings.

Final Remarks / TL;DR

Although Tokyo Ghoul Root A picks up almost immediately after the first season ends, it sets off to go in a very different direction. The CCG unquestionably become the villains and the Anteiku crew become the good guys, while Kaneki just runs off with some random other ghouls for no good reason. A lot of what I personally liked about the first season – the gray morality, our connection to Kaneki – is missing. It isn’t a bad season, but to say I’m less than thrilled about it may be an understatement.

For fans of the first season, you may as well watch the first episode of this season to resolve how things ended off. However, after then, I’d say it’s up to you if you want to continue or not. The second season isn’t necessarily a waste of time, but it won’t be the same as the first. Honestly, I wouldn’t mind if you decide to not even bother with it; I guess the worst that can happen, though, is you try a few episodes and see what you think.

Rating: Bad
Recommendation: Give It a Try
+++ ending theme and animation, Suzuya, connection to Touka
— anything and everything Kaneki, opening animation (song is decent), no complex morality

Review: My Hero Academia (Funimation February)

As is common for me, a new action show will appear on the scene and garner a large following, but I won’t jump on the bandwagon until much later.

For My Hero Academia, I probably only got onto watching this show through the insistence of multiple friends. With shows like Attack on Titan or Tokyo Ghoul, I didn’t have anyone pushing or urging me to watch it, but with My Hero Academia, almost every anime-watching friend I have told me to “get on watching MHA already”! … And also Yuri On Ice, which I’ve still yet to see. Oops. (EDIT: I’ve seen it since writing this!)

Anyway, this review will only be of the first season, since I paused between the first and second seasons to watch another show. … And I have yet to actually return to the second season. Oops again.

An Introduction

In an alternate universe, most of humanity have these genetically-inherited abilities called Quirks, which can range from anything like being able to create both fire and ice from thin air, to simply having a snake head. In essence, Quirks are like superpowers, and with superpowers come superheroes (and supervillains)! The Japanese government pays heroes to patrol the country and dispatch villains, and the most famous of these superheroes is All Might (basically, this world’s version of Superman).

For middle school kids set on becoming a superhero, the high school that is the school to go to is U.A. Academy. We meet Deku and Bakugo, two kids who’ve known each other since preschool, although their friendship is… rocky. Both of them want to apply at U.A. Academy, but Deku has one problem: he never actually got a Quirk (a superpower), despite having wanted to become a superhero and fight alongside his idol, All Might, his entire life.

However, through a chance encounter and a display of his… self-threatening sense of determination, Deku meets All Might, and learns his deepest secret. All Might himself been searching for a successor to his unique, not-genetically-inherited Quirk, and Deku has impressed him so much that he’s decided upon our young protagonist!

However, as Deku soon learns, this Quirk proves difficult to even utilize well, and All Might has more enemies than it first appears…

The Plot and Characters

My Hero Academia is fully content with being your standard underdog story, where our lead rises up against all odds to prove to be something greater than first meets the eye. It’s a story progression we’ve seen many a time before, and even within anime, it’s not all that new an idea.

Deku constantly teeters on the edge of losing his dream and being able to pull it off. The question constantly changes from “Can Deku become a hero?” to “Can Deku get into UA Academy?” to “Can Deku avoid being expelled from UA Academy?” and so on. Ultimately, though, we know he’ll pull through whatever is put in front of him, because we wouldn’t have a show otherwise.

However, MHA still does a good job of delivering that suspense and forging a connection to Deku.

The first two episodes shows Deku being beaten down and rejected by everyone around him, told that his dreams can’t become a reality. It’s a difficult thing for any person to hear, and the way these scenes were done and the emotions Deku has really sets us up to become attached to him, and root for him to persevere and rise up against those odds. When All Might tells him at the end of episode 2 that he can become a hero, we already feel that payoff of “yes, he can do it!” and we cheer and stand in awe alongside Deku.

Despite this, Deku didn’t seem to really grow much throughout the latter portion of the season. After he reached a certain point in episode 5, he didn’t seem to be making any progress as a superhero and barely any as a character. Part of what draws me to this show is seeing Deku grow, and for that to not really progress at all is a tad disappointing/underwhelming.

When it comes to Bakugo, I’m not entirely certain I understand him as a character, and as to why he has this giant beef with Deku. The show spent a decent amount of time on their background; I can see that Bakugo’s become conceited and this has perverted him, especially when up against Deku’s kind-hearted nature, but how does this translate into him wanting to be heroic? He seems to be more selfishly in it for the gains, but I’d suspect we’re not done exploring his character.

Oppositely, All Might is a pretty cool character. I like him a lot. Despite being one of Japan’s strongest superheroes, he’s more used for comic relief for a majority of the series, and he does well with it (and he can also be more serious when the show needs him to be too). His genuine dedication and feelings for Deku come across.

For the other characters, part of me wishes we got a bit more time with them… although I’d probably wouldn’t want it to turn into a The Lost Village-type situation, because that becomes unwieldy. A number of them get enough screen time for us to learn what their Quirk is and a general idea of their personality, and that’s kind of it. With Ochaco and Iida becoming Deku’s friends, those two squeezed just a tad more screen time out of MHA – but I’d like to see more of them, and more friendship bonding moments, maybe even see Deku, Ochaco, and Iida fight as a team at some point. I guess that’s my biggest hope for the second season (once I start watching it).

Lastly, there is one final thing to discuss: pacing.

MHA is a tad reminiscent of the running joke with Dragon Ball: nothing ever finishes in one episode and there’s always a cliffhanger to get you to come back next week. It’s not quite as bad as shows like Dragon Ball, but it is reminiscent of it. Episodes, especially the earlier ones, like to spend a decent amount of time recounting events from the previous episode or having flashbacks to earlier events or just having characters doing internal monologues.

This being said, each episode does feel like something gets accomplished. Something happens, the plot gets pushed forward somehow. And each episode feels like it’s over in a breeze; I’ll be like “what, it’s done already?” and then promptly make my way to the next one. Whether it’s how they handle their progression or I’ve just become that invested, I don’t know, but either way I’m glad I binge-watched it rather than going episode by episode.

All in all, though, my above complaints are just smaller quarrels against what’s still a mighty fine show. These characters are likeable, the world is interesting, and this story has gotten me invested (especially since they like to do cliffhangers like nothing else). I’m probably going to dive into the second season after I finish writing this, because I want to see more. I can’t say there’s much else I can state to share my appreciation for this show.

The Atmosphere

Unsurprising for both a superhero show and a high school anime, My Hero Academia is bright with colors. It’s not bursting out the seams with them in the way No Game No Life is (very few can compare to that), but colors in MHA are distinct and contrasting. It’s a color scheme that works well for this show, too; scenes pop out at you and keep your eyes on the screen, regardless of whether there’s actual action going on or not.

When there is action, though, the animation is able to deliver for it. The show’s pacing – where every move in a fight requires everyone to give their reactions and monologues – means fluid, quick motion isn’t generally needed, but even when it is, the show is able to do it. Fights are well done, and the show does well in non-action segments as well – although I don’t really have much to write about for that part.

Character designs are also very distinctive and well-done; they’re not particularly unique among anime as a whole, but within the show itself, I think one would be hard-pressed to actually confuse two characters for each other. Each one has their own distinctive appearance and display of emotions. The way lines are drawn and shading/shadows is done helps lend to this show’s visual style. I can’t remember the last time I was able to praise a show for its character designs  and specifically their distinctiveness, but My Hero Academia does good here.

Backgrounds are standard-fare for 2016; they’re good, they’re detailed enough to do what needs to be done, but there’s not really much to write home about. You may know I’m picky about background art, though, so, honestly, don’t take what I say here about MHA as a criticism.

The show’s music certainly succeeds in sounding heroic.  A particular piece with blaring instruments and rap vocals come to mind nearly immediately (and to be fair, it is used in multiple occasions). In general, a lot of orchestral instruments are put to use here: trumpets, violins, clarinets, the works. Not the entire orchestra all at once, of course, but the best chosen instruments are used for the right tracks. I’m a bit impartial to electronic/pop sounds, but this soundtrack is certainly nothing less than phenomenal. It fits right well into the show, helps reinforce the superhero genre feel, and at the same time, a number of pieces also stand out on their own.

The opening theme, THE DAY (sung by Porno Graffiti), although it definitely has energy and drive, feels like it’s lacking that bit of a punch or something to really become impactful. It’s not a bad song, though, and the opening animation is also pretty good. I’m a big fan of things being flashy and flamboyant, and this plays it relatively safe. Again, though, it’s good. The ending theme, “Heroes” by Brian the Sun, is pretty good, and works as an ending song. The ending is primarily just Deku running on a trail, which is pretty underwhelming. I’ll shrug it off though.

Finally, we come to the voice acting. All in all, I think I enjoy the subtitled version just a bit more. I may be a tad impartial due to listening to that first, but only about 1/3 of all the voices on the English side sound just as good or better in my mind. Particularly, I enjoy the voices of Bakugo and All Might, played by Clifford Chapin and Chris Sabat, respectively, but I feel the casting of Justin Briner as Deku wasn’t the best move – it more sounds like the voice of a romcom male character, not so much an up-and-coming superhero. I would’ve more enjoyed someone like Micah Solusod, I feel. I won’t call the English dub bad, though, but if you were to ask me which one to go for, I’d probably suggest subbed.

Final Remarks / TL;DR

My Hero Academia, coming into it, seems like an action series that shouldn’t really rise up as anything that noteworthy. However, its good execution of its underdog story, and the full committal to its superhero theme really helps it out. It’s mired by Deku’s lack of growth in the latter half and not enough time with the supporting cast, but those are small potatoes to the 5-course meal this show has packed for you.

Action shows are a stereotypical favorite of anime fans, but when they’re good, they’re good. There are those who really don’t have much interest in action, though, and My Hero Academia is a tad too far within its genre to appeal to those people, but if you’re looking for an action series and you’ve not yet given it a try, I highly suggest you do so! This first season is only the start, too, as there’s 26 more episodes after this, followed by a 3rd season and movie further down the line.

Rating: Great
Recommendation: Watch It
+++ our connection to Deku, production quality, All Might
— Deku stops growing after episode 5, not enough of Ochaco and Iida, English dub has room for improvement