My first experience with this show was during my freshman year of college. I had a friend for a short while whom I’d spend a lot of time with, and she was a huge anime fan (especially One Piece). One day, while going through her to-watch list, she picked this one out and we decided to just go through it as much as we could. We completed the entire series in 2 sittings, but honestly, most of those 2 nights were a blur. The show did stick with me, though, and eventually I decided to buy the premium edition Blu-Ray release.
After my recent rewatch of Nichijou, I decided to jump straight into rewatching this show afterwards. I didn’t remember much of this show, but I did remember it being similar to Nichijou, and I wasn’t ready to be done with sketch comedy anime yet.
In a sleepy, average Japanese town, our main character Tadakuni runs out the front door of his house, toast in mouth, knowing he’ll be late for school. He soon runs into his two best friends, also running late: Yoshitake and Hidenori. … But rather than the traditional toast in mouth, Yoshitake is running with a plate of curry and Hidenori is slurping up a bowl of noodles.
And on top of that, a light beam comes out of the sky, destroys half the city, and the three boys find themselves face to face with a giant mecha. Luckily for them, a magical book appeared, transforming them into warriors and wizards, ready to fight. Yep, just another day in their normal lives.
… Wait, that’s that normal? Then, what does the average life of a high school boy look like? Well, I’m glad you asked, because this anime will gladly answer!
The Plot and Characters
It’s kind of hard not to compare this show to Nichijou, and it’s especially harder when you watch them back to back as I have.
On the surface, the premise of the two shows is similar: a sketch comedy series focused upon the surprisingly-interesting daily events of a group of high school friends (and others around them). What sets Daily Lives of High School Boys apart from Nichijou, though, is that while the latter tends to be absurd and go beyond what’s physically possible, this show more focuses on social issues and perceived societal norms. (This doesn’t necessarily mean this anime doesn’t ever have absurd moments, nor does Nichijou avoid social topics, however.)
Ultimately, Daily Lives feels like the “manly” version of Nichijou. It lacks the playfulness and purity present in Nichijou, and this is apparent out of the gate with the very first sketch featuring the main three boys trying on Tadakuni’s sister’s underwear. Masculinity (and quasi-punkishness) runs rampant throughout the series, both in the sense of “guys doing guy things” and acting tough, and with guys struggling to conform to societal pressures of what a guy should be/do. Although that sounds deep and philosophical, the show rarely ends up going far that direction, though; this is a comedy, after all.
And the jokes here aren’t half bad… most of the time. Most sketches in Daily Lives last over a minute, so the funny ones have the time to build up to a great punchline, but the unfunny ones… they can cause me to lose interest in the show altogether. However, this most likely comes down to the show’s tone just not matching up to my sense of humor, though. I honestly have to say Daily Lives has some pretty dang good writing, even if every joke wasn’t to my taste.
What helps this anime stay intriguing is the constant influx of new situations we’ll find characters in. Jokes and sketches certainly get reused, but I’d say there’s only about one-to-two per episode. New characters get added, the same characters are presented new challenges, and are sometimes put into new settings. There’s a certain level of unpredictableness and new situations in Nichijou, but a lot of it would still result in an overdramatized (although still funny) reaction. Here, though, they’re truly unique and different situations, and you see new characters deal with new problems they’ve never encountered before, and it’s just fun to watch.
There is a wide cast here, and as I mentioned, new characters are added at the rate of about 3 per every 2 episodes. In the end, it does mean we end up with some characters (including supposed “main character” Tadakuni) not even appearing for some episodes. Each character has their own personality and traits, though, which allows the writers to approach various situations and topics from a variety of angles. (Although very few end up being very deep, which
The main trio of Tadakuni, Hidenori, and Yoshitake are basically just the straightman and two jesters. The show doesn’t stick to the “funnyman and straightman” schtick though, and it honestly has more comedic variety than Nichijou itself. Beyond the main three, there’s other boys, like the student council (including Motoharu, the intimidating-looking-but-kindhearted; Karasawa, the stone-willed one with the hat; and the council’s president, who is charisma incarnate) and characters from other high schools, such as Literature Girl – a girl who wants to see her own written stories acted out in real life, with strangers unwittingly playing the main role.
A number of episodes also end with a segment called High School Girls are Funky, which features three girls who, like Tadakuni, Yoshitake, and Hidenori, just hang out together and do stuff… although a lot of that “doing stuff” usually leads to harassing Karasawa (one of the few characters who appears in both this ending segment and the main show).
The entire show carries the same tone, even in the High School Girls sketches, despite the content of various sketches and mannerisms of characters being completely different. It never feels like you’re not watching a Daily Lives episode. The show’s pacing is also excellently done (and surprisingly consistent) up until near the end of the show. In the final episodes, it felt like they were starting to run out of steam and padded some of the sketches so the punch line didn’t arrive too early. It’s a difficult balance not having a joke run too short or too long, and the writers came so close to doing it perfectly for the entire series.
All in all, though, I can’t praise the writing enough. If you’re a fan of sketch comedy anime, including Nichijou, this is the next show you should watch.
… But don’t watch them back to back as I have. Watching them back to back made me hyperaware of the (even minute) differences between Nichijou and Daily Lives, and showed a few more cracks in Nichijou than I had even expressed in my review of the show (and, likewise, a few cracks in this show as well). No show is perfect, of course, but I feel that Daily Lives of High School Boys stands best when it’s not put directly beside another show.
The animation and art for this show is, surprisingly, average. Again, this may be the result of me jumping straight to this show from Nichijou, but characters don’t move as frequently (or fluidly) as I expected them to.
The background art has this strangely clean, almost-blocky look to it – due to the usage of perfectly straight lines everywhere, with no blemishes or imperfections anywhere unless it was intentional. It almost feels a bit surreal and manufactured, rather than a lived-in place, and didn’t seem to match up too well with the somewhat impure, punk-ish tone of this show. This problem is further exacerbated by the bright color scheme used throughout as well; the background colors look mostly washed out, though, and overall seems a bit too watercolor painting-y.
This is contrasted by the character designs which tend to feature darker, deeper colors, and (despite their simplistic look) display more expressiveness and individuality. The characters do sometimes have a problem of looking a little bit too similar, but the show constantly reminds us that it doesn’t matter for us to keep track of who is who (a sentiment I don’t necessarily agree with, especially given the ending sketch).
This is not all to say that Daily Lives is a bad-looking or poorly-produced show, no. This show is truly enjoyable, and there’s no “in spite of” at the end of that sentence. It just surprises me a bit to not see more invested into the visuals side of things, although I’ve certainly been very spoiled by the absolute fluidness and quality of Nichijou’s visuals.
Daily Lives’s soundtrack relies heavily upon electric guitar, unsurprisingly, but it all feels very same-y to me. I’m certainly no guitar aficionado (especially of the electric kind), but the music just kind of blends together and nothing really sticks out… excepting for the pieces that actually introduce other instruments, such as piano. All in all, the soundtrack is pretty decent, though, and it blends beautifully into the energy and tone of the show (as a good soundtrack should), but the lack of any individual track standing out keeps me from really wanting to listen to it on its own.
The opening theme is Shiny Tale, by Mix Speakers Inc., and it’s pretty good, if not a bit too action anime-esque (although I’d bet that’s probably the feeling they’re going for, as the opening animation also is quite action anime-esque).
However, the ending theme – O-hi-sama by Amesaki Annainin – frankly sounds a bit too quirky and cheery for this show. It’s a totally fine song in its own right (although, honestly, it kind of sounds like two people who found some cheap instruments online and decided to jam one day in a garage), but I’m always taken out of my suspension of disbelief once the song starts. Despite the show’s consistently good writing, O-hi-sama (and the accompanying ending animation) is the one exception to the consistent tone; it just feels strange and too different from everything else and it sticks out like a sore thumb. Funnily enough, O-hi-sama wasn’t originally intended to be the ending theme of Daily Lives. A different band was meant to perform the ending theme, but after some band members made a blog post publicly insulting the show and one of the voice actors, their song was taken out and Sunrise improvised together a clip show for episode 1’s ending while a new ending song and animation were made.
Daily Lives shines spectacularly with its voice acting, though, and I have to give major praise to the voice actresses of the three girls in the High School Girls segments: Yuu Kobayashi, Chiwa Saitou, and Yukana. They do absolutely wonderfully in their roles and sell their characters 110%. Tomokazu Sugita does a great job as Hidenori as well.
If you’re looking to buy this show in physical form in the US, NIS America is the company that holds the license. NIS America tends to do good work when they bring over anime to the West and this is no exception. There is no dub here, but that’s alright. However, you should save yourself the trouble and not bother with the premium edition box; not only is weirdly long (which makes it awkward to fit onto an anime collection’s shelf), but the included art book has little more than a character list and an episode list. Granted, the entire book is written in the tone of a survival guide for high schoolers, which is amusing, but none of it is worth the extra time/money to try to find and acquire.
Final Remarks / TL;DR
Daily Lives of High School Boys is another example of a well-executed sketch comedy anime. The writing is awesome, even if not every joke lands the mark. The show’s presentation is marred by unnaturally-clean background art and an out-of-place ending theme, but there’s twice as many positives as there are negatives.
As I mentioned in the review proper, Daily Lives is seen as the “manly” version of Nichijou. Cuteness and cheerful purity gives way to punk vibes and discussion of social issues. Unless the cuteness is what keeps you attached to Nichijou, you’ll be sure to find some laughs in Daily Lives. This is another comedy anime that should be put onto your to-watch list.
Recommendation: Watch It
+++ excellent writing throughout, character designs, High School Girls
— weirdly too-perfect background art, ending theme, not every joke lands