This wasn’t planned to be a long post, but it’s turning into one… either way, I just wanted to share some additional history and trivia that you might not know about this show.
(Also, as a quick update, I did update my review for Nichijou to add and change some stuff, as I wasn’t happy with how it was. No changes in opinion or anything, but wanted to let you know.)
So despite how much people seem to be enjoying it in recent years, Nichijou actually didn’t see too much success right out of the gate, either in the US or Japan.
In 2011, the Nichijou anime was about to start airing. This anime project came after tremendous success with the producers’ two previous shows: Haruhi Suzumiya and Lucky Star. Haruhi Suzumiya blew up like nothing else, and people around the world clamored to get any tiny bit more Haruhi anything they could get their hands on. Lucky Star, although it rode a bit on the success of Haruhi Suzumiya, was a great hit in its own right and helped to define the genre of “slice-of-life anime”.
Naturally, they expected Nichijou to be another hit out of the park. A lot of time, money, and work was put into getting that 3rd major success: many character single CDs were made, advertisements were put all over, they opted for a full 26 episodes right off the bat, it was aired and streamed everywhere, limited edition DVD/Blu-ray boxes were lined up, merchandise (and video game) deals were made…
But it didn’t turn into the success they wanted it to be. Manga sales were actually pretty good, maybe some of the music CDs did well… but in general, people weren’t buying up the DVDs, other music CDs, and merchandise as well as they hoped.
This didn’t mean that Nichijou was a complete financial disaster, however. It still performed pretty alright. Other anime production committees would probably be pretty happy with the numbers Nichijou brought. … But it wasn’t on the level of Haruhi or Lucky Star. And with how much extra money they poured into this, expecting it to be on that level, it just didn’t return as much money as they put into it.
There’s a lot of speculation and theorizing on to why Nichijou didn’t play out as much as expected. It could’ve been that the content is more suited for a Western audience rather than a Japanese one. It could’ve been the fact that the show was split into 13 separate DVD boxes sold over a year which people didn’t want to get behind. It could’ve been the over-usage of the then-already-overused voice actor Minoru Shirashi in the bonus content on the DVDs. Either way, that’s what it was.
The manga division of Kadokawa, which published the Nichijou manga, certainly saw some success, and Kyoto Animation and Klockworx probably came out alright… but Kadokawa’s anime division, along with Lantis and Movic (who produced the music and merchandise, respectively) probably didn’t see the numbers they wanted.
Kyoto Animation would soon after move into producing its own shows, but it’d be wrong to say that Nichijou was what caused them to do so. They were planning the move into self-production for a while, starting with a book writing contest that first ran in 2009 that gave way to shows like Chunnibyou, Free!, Beyond the Boundary, and Violet Evergarden.
Japan – NHK-E version
The following year (2012), though, the TV station NHK re-aired Nichijou. They cut down the original 26 episodes, taking the best sketches from the show and reorganizing them to fit into 12 episodes. This ended up being referred to as the NHK-E version or Director’s Cut version of Nichijou.
(Side note: isn’t a “Director’s Cut” supposed to be like… longer than the original (theatrical) release? Have extra stuff? The 12 episode re-release is half as long as the original 26, but yet it’s sometimes referred to the Director’s Cut…)
The NHK-E version of Nichijou actually performed well enough that they ended up re-airing that version again later that year and also releasing that on DVD. So at least the Nichijou anime did have some success in the end… even if that meant cutting half of it out.
However, now we turn our attention to the United States. Other overseas regions, like Europe and Australia, don’t necessarily apply here. (Madman Entertainment released Nichijou in Australia in 2013.)
In the early 2000s, Bandai (yes, that Bandai) had an anime distribution division in the US, and released DVDs just like Funimation or Sentai. Bandai were the ones to bring over Cowboy Bebop, Haruhi Suzumiya, Code Geass, and K-On! to the United States. For Haruhi’s 2nd season, they even did live events and promotions for it.
When 2011 came around, Bandai would acquire the license for Nichijou with plans to release it in 2012. However, it would end up not to be.
Around 2011 is when the American anime industry was hitting a problem: people just weren’t buying DVDs as much anymore. The Internet was becoming the next big thing, and piracy and torrenting sites allowed people to watch anime without paying a dime. On top of all of this, as well, was the larger economic recession happening in 2010/2011; people just didn’t have the extra money to spend on things like DVDs (and why would they, when they could just hit up their favorite site and watch a show with just a click of a mouse).
For Bandai America’s anime and manga division, this wasn’t an obstacle they could afford to overcome. The parent company back home in Japan wasn’t happy with how things were turning out, and when they decided to merge all their Japanese anime companies into one, they also decided to leave the American anime industry in steps.
The discs for Nichijou, Gosick, and Turn A Gundam were cancelled in January 2012, and all of the manga they were publishing were cut short. In August, they stopped selling all of their DVDs altogether, and by December 2012, they were totally out of the American anime industry.
Nichijou would still end up on Crunchyroll (under the translated name My Ordinary Life) as part of their premiere lineup for this new “legal anime streaming” thing they were trying out. But there was no company in the US to advertise and support the show, to make and put out DVDs and put it into catalogs and on retailer websites like Amazon. And so for the US, the show never raised above cult hit status, and in 2014 when Crunchyroll lost the license to Nichijou, there ceased to be a legal way to even watch the show in the US.
Things seemed to change around a little bit when Vertical Comics announced their acquisition of the Nichijou manga at AX 2015. It still wasn’t the anime, but there was at least some way for people to enjoy Nichijou. I excitedly purchased the first 3 volumes right away from them, and I still support them now (especially since they also have the Monogatari series books too).
Finally, at YoumaCon 2016, Funimation announced they got the license to Nichijou. February 2017, a month short of a full 6 years since the 1st episode aired, American anime fans could enjoy this comedy show with the Blu-Ray box in their own hands.
Unfortunately, Nichijou’s time in the limelight has passed, as there’s new shows to produce and promote, and new DVDs and Blu-Rays to make. But the show’s popularity, hopefully, will continue to grow and expand online, as more and more fans come across this awesome show.
Until next time,